Trumpeter Michael Morreale is a solo artist, composer, and educator in the New York Metropolitan area leading his own jazz ensembles. As a sideman he is featured on six albums and two world tours with Joe Jackson as well as extended NYC engagements with the legendary Keely Smith. He has also performed with Chuck Wayne, Houston Person, Don Joseph, Jerry Vivino, the Turk Van Lake Orchestra, Loren Schonberg’s Orchestra, Lew Anderson’s All American band, and Tommy Igoe’s Friday Nite Band among others. He also led the Staten Island Chamber Music Payers Jazz Quartet for 25 years. Michael holds a Masters in Composition from Brooklyn College, a BA in Music from CCNY and runs the jazz department at the College of Staten Island (CUNY) where he established a Concentration in Jazz studies. In early 2017 he released, Vol. 1 – Love and Influence, his first as a leader and featuring original compositions for quartet and sextet, featuring Jon Gordon on saxophones and John Allred on trombone. In December 2017, Michael also released Vol. 2 – MilesSong – The Music of Miles Davis. Both feature the rhythm section of featuring Tony Regusis-piano, Bill Moring-bass and Tim Horner-drums. Michael’s third release in 2019, Vol. 3 – Stories of Recent Vintage, is another album of all original compositions for Quintet/Sextet and also on the PepJack record label. It includes the Regusis-Moring-Horner rhythm section, as well as Tony Aiello, Jon Gordon, and Jerry Vivino on saxophones.
Michael’s latest recording venture is Vol. 4 – August 17th, this was recorded on that day in 2020 featuring Michael on trumpet (and piano on two tracks) with Bill Moring and Tim Horner. The music features compositions of Charlie Parker, Johnny Mandel, and two Morreale originals. All CD releases were recorded at Trading 8’s by Chris Sulit, mastered by Kevin Blackler, and are released on the Michael’s PepJack record label. Upcoming projects include Vol. 5 – Power Trio, and Vol. 6 – The Piano Album.
Professionally, Michael was busy with commercial work in the NY Metropolitan area and started leading his own jazz group at various Staten Island venues. 1983 was especially fruitful; he took leadership of the Staten Island Chamber Music Players Jazz Quartet. This organization featured annual Summer and Winter concert series as well as school outreach programs. Michael was able to develop his composing during this time; many works were presented in concert and he was fortunate to feature guest performers jazz legends Chuck Wayne, Don Joseph, and Turk Van Lake. The time with Joseph and Van Lake became a dear friendship as well, and they were both beloved musical mentors to Mike. The gig with the Chamber players lasted 25 years, ending only with the organization’s dissolution in 2008.
The other event from 1983 was the beginning of a ten-year association with performing/recording artist Joe Jackson. Michael is featured on six of Jackson’s albums, and two world tours in support of the Body and Soul and Blaze of Glory albums. In 1994 Michael went back to school, earning a Master in Composition from Brooklyn College. A year later he began teaching as an adjunct at College of Staten Island (CUNY), eventually running the jazz department and becoming a full-time Lecturer of Music in 2009.
As a sideman there have been other highlights. In 1997 Michael was invited to play and record with the group Straight Up, (led by fellow Staten Island native John Trentacosta) based in Santa Fe, New Mexico, an association that continues to this day. The first recording, Live Jazz in the Desert (1997), was recorded live at the Fuller Lodge in Los Alamos, NM. Michael’s sound and style were captured perfectly, especially on the tune I’ll Close My Eyes, where his Don Joseph roots are especially evident. The second recording from 2002 was called No Need For Words, and two original compositions (May Ann, and One Winslow) were recorded. Cadence magazine described Mike’s playing; “By all indications a devotee of Clifford Brown’s work, Morreale can push the group during the lead chorus of ‘A Horace of a Different Color’ eventually leading into a solo reminiscent of some of the hard bop masters, and then slow down to bring out the vocalistic qualities of the ballad ‘Blame it on My Youth.” In addition to performing with Straight Up for the New Mexico Jazz Festival, Michael has also led concerts at prestigious New Mexico venues such as the Outpost Performance Space and Santa Fe’s Museum Hill for the Santa Fe Jazz Collective.
Other important associations include saxophonist Jerry Vivino, and Michael is featured on his 2006 release Walkin’ With The Wazmo. In 2007 and 2008 he performed with the legendary vocalist Keely Smith at the Café Carlyle, Birdland, and the Tribeca Arts Center as part of the Highlights in Jazz series. His big band sideman work includes the orchestras of Turk Van Lake, Loren Schoenberg, Bob Alexander, (in the NY area) as well as Lou Anderson’s All American Band and Tommy Igoe’s Friday Nite Big Band at Birdland.
Michael maintains a presence in the Staten Island area with his quartet and also as a big band leader. He has written and arranged for Jazz Quintet, Brass Quintet, and Big Band ensembles. His first CD as leader, Love and Influence (2017), features all original material for quartet and sextet, most of the music was composed from 2009-2014. Michael also performs on piano for two of the tracks. Michael’s trumpet playing owes a debt to his uncles Jimmy Morreale and Jack Morreale for sound. Jack and Carmine Caruso were his two primary trumpet teachers. His jazz approach was mostly realized by listening to and learning from Don Joseph, although Clifford Brown and Art Farmer are big influences as well. The biggest influence however is Miles Davis, and all periods of his career are of great inspiration. Michael’s second CD, MilesSong – The Music of Miles Davis was released in late 2017 in quartet form. His most recent release in 2019 again features original compositions, a creative continuation from Love and Influence. Its title is Stories of Recent Vintage, and features music for quintet and sextet. Michael also returns to the piano on two of the numbers. All three CDS are on the PepJack Record Label.